Artists:
APSOLUTNO, Balázs Beöthy, Nikola Džafo, Miomir Grujić Fleka, FIA Art Group, Teodor Graur, Róza El-Hassan, Big Hope, Iosif Király, LED ART, LITTLE WARSAW, Dan Mihălţianu, Saša Marković Mikrob, Csaba Nemes, Vesna Pavlović, Lia Perjovschi, Dan Perjovschi, Škart, subREAL, Újlak, Sorin Vreme

Curator:
Alina Șerban

Opening: September 7, 2023, 18:00

Guided tours:
08-09.09.2023, 13:00 & 18:00 (free access)
16.09 – 22.10.2023, every Saturday from 17:00 (free access)

On September 7, 2023, The Institute of the Present opens PERFORMING 89. STATES OF DISILLUSION, an exhibition that weaves together some of the intricate storylines of the nineties which emerged in the light of political and social turns occurring after 1989. The exhibition launch is part of the Opening Weekend (7-9 September), with free access, co-organized with FABER for the exhibitions "PERFORMING 89. STATES OF DISILLUSION" and "BRIGHT CITYSCAPES: Turn Signals—Design is not a Dashboard” which includes guided tours, an indie and electro concert with Suie Paparude & Zimbru, a debate on collaborations that bring together research and design, as well as the chance to discover the book reading list of the Performing 89 artists in La Doua Bufniţe bookstore.

One can say for certain that the political events of the 1990s provoked a renegotiation of localities and a reviewing of narratives embedded in the social realm, unveiling as such unspoken conflicting attitudes that contributed in the epoch towards the rise of ethno-nationalism and populism and sustained a slow and traumatic step into the long-awaited normalisation period.

The shocking waves of the transition policies that followed the implosion of the old political order in the Eastern Bloc, the visible paradoxical situations generated by economic instability, the state resistance to reforms, and the civil society protests that punctured the 1990s called for an immediate appropriation of those estranged and polyphonic realities in the artistic practices of the decade.

PERFORMING 89 looks at the complex interactions and connections between art and society during the 1990s, at the poignant stories of recent transformation brought into discussion by artists, featuring a diverse range of medium-based artworks that, retrospectively, lie between documentary and subjective artistic investigation. At the centre of the exhibition is the thoughtful concern of artists for the circumstances of their time and their proximity to the public space. It reflects upon the fundamental new condition of art as a response towards the changes in society, and as a way of thinking and acting in solidarity. The discussions and reflections on the ideological tensions unleashed during the nineties brought artists closer to the social climate and to a series of issues that were absent before and that are nowadays constituent of newly shaped realities. Hence, the works exhibited engage the viewers with stories that speak about the material conditions of vulnerable individuals during the swap to a market economy, and about the dysfunctions appearing in the cracks in society during the process of building a democracy mirroring the political implications and social expectations prevailing during this decade.

On this basis, the connection with the present reveals a modus operandi where poetics becomes associated with critical thinking, self-organisation with resource sharing, and participation with social engagement.

PERFORMING 89. STATES OF DISILLUSION proposes to create a dialogue between works that have been subjected to the unprecedented shifts of the 1990s, recollecting the atmosphere and the dynamic of the times, however, neither being revisionist nor nostalgic, but trying to understand the sense of what was missed or lost during those years. Of what was forgotten.

PERFORMING 89 includes concerts, film screenings, workshops, guided tours and an associated digital publication as part of the exhibition programme.

IP—The Institute of the Present is a research and an artist and theory resource platform in the field of visual and performing culture conceived by Ștefania Ferchedău and Alina Șerban.

The “Uncensored Act” programme, which features the exhibition, dwells on the idea of community, collective action, collaboration and solidarity in the spirit of shared values, with a route that is triggered by the history of Timișoara in the 1989 context, connected regionally and internationally through the proposed artistic content.

Cultural project co-funded by the Administration of the National Cultural Fund. 

The project does not necessarily represent the standpoint of the Administration of the National Cultural Fund. AFCN cannot be held liable for the content of the project or the manner in which the outcomes of the project may be used. These shall devolve entirely on the beneficiary of the financing.

This project is supported by the Romanian Order of Architects, from the Architectural Stamp Duty.

Photo: Iosif Király, from the series “Indirect (România),” 1990–1999

Sponsors: Köber Industries, Crama Dealul Dorului, Siniat
Supported by: Goethe Institute Bucharest, Foundation for Contemporary Arts Emergency Grants
Main Partner: FABER
Partners: Art Encounters, La Două Bufniţe, Romanian Order of Architects Timiș County, Beta (Timișoara Architecture Biennial)
Logistic Partners: Plan B, Salonul de Proiecte, Muzeul Cineastului Amator, Kodex, EUROTRANS Foundation
Media Partners: rfi România, Cărturești Timișoara, Radio România Cultural